Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

Wednesday, February 17, 2016

Primrose Hill Contradiction, a poem

I see the sun peek through a cloud on Primrose Hill. (Rachel Poletick)
I did not feel my best today. But sometimes when we're at our worst, life gives us a moment to contemplate on our best. When I consider me at my best, most thoughtful self, I think of poetry.

So here is one I wrote a while back, in a moment of quiet observation. I don't consider it a masterpiece. I've never felt terribly eager to publish it before today. But in the vein of living in one's past, present and future with equanimity, I thought I might share.

Primrose Hill Contradiction

This hill is vibrant
Full of voices and cameras
Chatter and clicking interchangeably
It's a moment in time
That catches you and makes you
Perceptive, even if you didn't want to be.

The view pierces previous thought
Where iron and glass
Meet stone and brick
Which in turn meet leaves and bark
A line which seems impenetrable,
Yet almost so close as to reach it.

I'm not sure how I came to be here,
How I can be so close to life,
Yet miles away.

But somehow it feels perfect,
Unchangeable and unfathomable
All at once.

And I know I must come back.

Saturday, October 26, 2013

To that someone

Let me start off by saying this is a pretty abstract piece. It's a bit sappy, but when I wrote it I realized how proud I was of it. I'm at a weird stage in my life where nothing seems certain. I don't know what I'll be doing a year from now, where I'll be, who I'll meet. This story, which should be taken as fictional prose despite its personal nature, is a manifestation of that feeling of uncertainty.

Hey you,

I've been feeling kind of down lately. And missing you, even though I don't know who you are just yet.

Sometimes, even when I'm not thinking all that much about the future, I feel a connection with you. Like, even though we're not with each other now, somehow we're still together. It's a comfort to me to feel your presence even when I don't know who you are.

Other times, like today, when I want to dream about you and what my life might bring, nothing shows up. And I feel like I'm lost, my mind running in circles, searching for you but always ending up back where I started; never actually returning to that feeling of knowing you, of being with you even when I can't.

Maybe this is all silly, overly sentimental romantic junk. I have so many feelings that I worry I'm just projecting what I want into reality.

But then I remember those feelings I've had. Of utter joy, knowing that you're somewhere in the world and so am I. That even though we're not together now, and we may not be together for a while, that eventually we will be. And that right now, in our own separate worlds, we're living simultaneously. Not in each other's lives necessarily, but moving in that direction.

I hope that you're really loving. And full of passion and understanding. I want to be those things for you too. I hope you're beautiful inside and out, and that looking into your eyes makes all my troubles melt away. I hope that when I'm scared, worried or angry, that being with you can cure even the darkest days.

I want all of these things. But first I have to find you.

And don't start to think that I'm not putting in any effort. I've been looking and hoping. I've been trying really hard to be logical and thorough. I've made some mistakes in the process, but that's okay, I think. Because the mistakes are what prove that you're still out there, not with me at this precise moment, but still in the world somewhere.

And that's some solace, because the mistakes can be incredibly disheartening.

I feel like I'm just starting to change my life. I'm in therapy now, for the first time ever. I'm taking yoga, too. These are two of the best decisions I've ever made in life. Instead of ignoring my feelings and pushing my problems away, I'm confronting them head on and looking for changes, physical and mental. I think you'd be proud of me if you could see.

So even though I worry that we're far away from each other - and even though sometimes I don't feel your presence no matter how hard I try - I do think that every little thing I do in my life is improving the now so that I can be good for you in the future.

I can only hope that in the same way, you're doing things that you hope will be good for me. And that when we meet each other, we'll be so ready that we'll never look back, never feel small or useless again, never worry about loneliness.

You're going to be the most amazing person in the world. I already love you, whoever you are. This passion swells in me and sometimes I don't know what to do with it. It just takes over my body and makes me want to cry my eyes out and grin at the same time. It makes me feel hysterical.

Well, whatever our circumstances are, wherever you are in the world and in your heart, I'm writing this now to let you know that you're not alone. And I don't feel so alone either. Somehow, I don't think that those moments of interconnectedness are only mine. I'm just waiting to see you finally. I'm so anxious. Get here quickly.

I'm waiting.

Tuesday, June 5, 2012

Implications, a poem

Lately I've felt at a loss for what to write. Maybe it's because I'm feeling under the weather or maybe it's because I've just run out of good ideas. But today, I've decided to share (another) poem with the world since the only good writing material I have available to share is something I wrote a long time ago. Apparently I've lost all of my ability to write well along with my health, but at least I have written well in the past.

Unlike the previous poem I posted, this is one about love. And not about the pain of love, but about think I felt love and being afraid to express it.

I've never been in love, however I've definitely been under the delusion of being in love. There have been times in my life where I've almost risked telling people I've loved them simply because I didn't know what the word meant.

Sometimes I share my words all too freely. It makes sense, after all I write a blog every day and they are generally relatively lengthy.

But unlike a blog, which often just involves spewing your feelings onto paper, saying that you love someone involves trapping them as much as you trap yourself. You end up bringing expectations to the table, and putting yourself and the other person in a difficult situation where feelings have to be questioned.

I think in the beginning of my first relationship - and the whole experience basically consisted of a beginning since it never got past the first couple of weeks - I thought I was ready to tell him I loved him. I got so caught up in the feelings I had that the word almost burst from my lips.

And I don't think I understood what kind of ramifications a word like that could have.

That being said, this poem was not written for him. In fact, it was written years before him at a time when I definitely had no idea what love was (not that I do now either). I think some of my best poetry has been written out of somewhere imaginary. Just like poems can bear your soul, they can also help you create fiction that feels real.

Poetry is inherently emotional and even when it's not based in personal fact, it still resonates.

This poem, upon looking at it again, resonated with me in relation to my first relationship. Not because it was representative of the exact feelings I felt with my first boyfriend, but because it reminded me of the strength of my feelings as well as the confusion I felt.

The whole poem is about the jumbled emotions when considering whether or not you are actually in love. And, at least as of now, I don't know if I will ever be able to bring any clarity to this question. But at least I can provide some art with which anyone can commiserate. Because I'm sure many of us have found ourselves feeling what we think is love, but not being sure. And then almost risking declaring our emotions when we can never quite know how real they are.

Implications

I don't believe in telling
Words do not truth bear
Yet now I'm often dwelling
On how honestly I do care

Implications are my mind's expression
To say, but not to speak
When love is no longer a confession
It's far easier for the meek

For this I must explain to you
But hide it in a song
That you at last might see who
Does, in my heart, no wrong

I love but cannot state
By the fear that love's too much
While passion may be fate
To me it doesn't sound such

But in wanting to be frank
And trying to be true
At risk my heart will have later sank
I believe that I love you

Saturday, March 3, 2012

Little Demi

Preface: I'm writing a fictional story, a fairytale of sorts, instead of a regular blog entry today. To get things off my mind I've decided to be creative. I hope you don't mind. Love, Rachel

There was a little house in a little wood where a little girl sat on a little chair, nudging at little coals in a little fireplace, wondering what might become of her little life.

Her name was Demi and she hated that name. Demi hated that her name meant "small." She blamed her name for her small stature, standing only just above the height of her mantlepiece, an itty bitty girl in an already itty bitty place. She would often mutter to herself about how being small really was the worst curse a girl could ever receive.

One day, Demi left her little chair and her little fireplace. She approached her mother and tugged on her apron as she worked on a vegetable stew for supper. She said to her mother, "You should have named me Gigantina and called me Gigi for short. Then maybe I would have grown up big and tall, not short and small." Her mother laughed, gave her daughter a kiss on the forehead and said, "My darling, I may have chosen your name, but that doesn't mean you must take it. Decide your own - Demi or Gigi. Whichever you choose, I'll call you by it and love you just the same."

"I will change my name then, mother. I am no longer Demi. You may call me Gigantina, or Gigi." Gigi's mother looked at her daughter for a moment, grabbed a ladle from her steaming pot and offered her a taste. The girl took the ladle herself and sampled the soup. "How is it, Gigi?" her mother asked. "Wonderful, mother," said the girl. And she went on her way.

She felt something changing after that sip of soup. Gigi was growing bigger, feeling stronger by the minute. She thought it was the name. It had changed her somehow. She realized finally, she could do better things now.

Gigi left the house to play in the little wood outside her little lawn. She put on her little shoes (but, oh, they were tight) and set off with a little walking stick (which had grown quite small for her) ready to stroll past little trees and scale little mountains.

She approached a little bridge that spanned a little river, the Itsy River it was called. Gigi saw a little beaver, making a dam out of little logs and branches and twigs. The beaver said to her, "I am very small and cannot reach the branches on the tip tops of those trees," she gestured at some fine oak tree across the Itsy. "You are much taller and bigger than I. Can you climb a tree and break off some branches for my dam?"

Gigi looked at the beaver quizzically, but quite complimented at being called big and tall, she did what her new acquaintance had asked and began to climb a nearby oak. She got big branches and small branches and branches in between. She brought the branches down, and on the way she spoke quite loudly.

"I am big and strong and tall now, and for this I will say, 'I can conquer anything that stands in my way!'"

"I thank you, dear friend, for your help and your kindness! But be wary of pride, and try not to be mindless."

Gigi thought about what the beaver had said. But instead of dwelling on the beaver's words and her past, she went on through the little woods, walking quite fast.

Next, Gigi happened upon a little nest snuggled in a low tree branch. Inside were bluebirds, gathered together waiting for their mother who was out searching for food. There was one bird, two bird, three bird and four. "But we have one more!" said bluebird number four.

"Where is the fifth bird?" asked Gigi. She looked around the little wood, at her feet and on other branches, when she saw a small bird having fallen from its nest.

"I was so hungry that I tried to fly from my siblings. I thought I could help them. Our stomachs are grumbling," said the little fifth bird. "But then I fell, I couldn't fly. And my little leg broke, so I just sat here to cry."

Gigi felt badly for the little bird. So she found him a worm. As he ate very merrily, she had an idea. So she wandered around and she gathered supplies. And she fixed him a cast from some leaves and some sap.

The little bird cried, but these weren't tears of sadness. Through his tears he spoke to his brothers and sisters, "I'm crying for joy, for the big girl has helped us!"

With a pat on his head, she returned him to his nest. And she recited as before, of her talent at its best. "I am big and strong and tall now, and for this I will say, 'I can conquer anything that stands in my way!'"


But the little bird replied as the beaver did before him, "I thank you, dear friend, for your help and your kindness! But be wary of pride, and try not to be mindless."

Yet Gigi continued on, through the little forest. She was proud that she was so strong and so tall, and happy to help all the little animals she encountered. But it was growing dark and Gigi was cold. She may have grown bigger, but she could not grow warmer. And she started to run, through the forest and the rivers, running past twigs and owls hooting, losing all sense of sight.

She stumbled and fell, landing on a bed of rocks. But Gigi picked herself up and rubbed dirt off her palms. Then she saw a small insect she had caused a great deal of harm. The little monarch butterfly's little voice yelped out in pain, "You've damaged my wing, I'll never fly again!"

Gigi began to cry. For try as she might to use her size for kindness and good, because she is big she hadn't seen where the butterfly stood.

She examined the bug, touched its wing very carefully. But with each stroke, she hurt the monarch butterfly even more. "Ouch! Stop that," the little butterfly screamed. And Gigi realized, for once, she could not do anything.

So she cupped the butterfly in her little hands. "I'll keep you safe, I'll take you home. I'll save you, little butterfly. I will right my wrong."

Gigi returned home to her mother and her stew. She sat at the table and unclasped her hands to show her mother what she knew.

"Dear mother, I've realized what I didn't before. To be tall is no better than to be small, I will think that no more. I hurt this poor butterfly, because I was so big. And because she was small, she broke like a twig. I'm no longer Gigi, please let me be Demi!"

Her mother looked down at the little butterfly and kissed her broken wing, restoring power to the poor little thing. The butterfly could fly, Demi's mother had done it! But before she flew off, the little monarch went to little Demi and spoke in her little voice:

"You did not hurt me by being big, you should not worry of your size. Whether you're small or you're tall, what matters is what's in your heart, you'll realize. If you had been small, you could not have helped the beaver, the birds or even me! Because your heart was strong, it was that which held the key. But you need to be careful, be wary of false pride - a few good deeds might spoil you inside." Then the butterfly flew off into the night sky and Demi and her mother watched her go.

Demi thought about what the butterfly had said and what the beaver and the bird had reminded her before. She wanted to be big for the wrong reasons, to show off and to be loved. She wanted celebrity, she wanted to feel good, but in the process she'd lost sight of what really matters - she'd let pride take over.

"My dear Demi," said her mother, "you understand now. Your name did not make you big, that's a skill one must learn, and only you can know how." Her mother handed her a bowl of soup and Demi felt herself shrinking down to a tiny size. She yawned a great big yawn and her mother said "it's time for sleep."

Demi's mother kissed her daughter's little head, and set her in her little bed. She blew out a little candlelight and said to her a little goodnight.

And as Demi lie in her bed that night, she thought about beavers and birds and butterflies. And she thought that maybe being small wasn't a curse, and neither was being tall. The only curse to be conquered is the pride that she'd had. Nothing else really could be quite so bad.

So Demi went to bed with renewed pride, but this time not from her size, but from what was inside. The end.

Wednesday, February 8, 2012

To Nothingness, a poem

My poetry journal.
I started writing poetry in eighth grade. My English teacher at the time required us to learn different styles of poem writing, mainly based on meter and rhyme. He'd send us home with assignments. "Write a blank verse tonight." "Try your hand at a Shakespearean sonnet for your poetry journal."

I would sit, staring at my notebook and feeling hindered by the instructions. If I want to write about a certain topic, why should I have to care if it's in iambic pentameter? In my frustration I didn't realize what I was being afforded.

The problem was that I hated being prescribed certain structures. But in time I learned how magnificent I felt when I used them.

For the next four years after leaving that English class, I only wrote another couple of poems. My high school days were filled with academic and journalistic writing assignments and I rarely, if ever, made time to be creative with my work.

But once I got to college I started realizing the value in devoting my own heart to my writing, in letting my pen speak from my soul rather than just writing what was on my mind.

A lot of people truly enjoy writing in free verse. They see no use in structure because they feel that the purpose of poetry is to let the mind wander and produce an emotional outpouring that needs no beautification through rhyme.

But I've always felt differently. The poetry I write is not the product of my mind wandering. It's something farther from my reach. When I focus on the number of syllables, the rhyme scheme, the structure of a poem, I forget about trying to be eloquent and trying to send a message.

Instead of writing political allegories or telling stories that have been on my mind, I let my pen do the deciding. The words flow out to fit within the design I've concocted for my poem and as a result, the purest of my writing pours onto the page.

What comes out is a form of expression rather than impression. I don't let my work mean something greater than it is, instead I let it stand for exactly what it means. It's almost like I don't control it, but that it's handed to me by my unconscious mind.

One day I was out on a walk and I decided to just sit down and listen to my surroundings and put pen to paper. My decision on structure went as follows: ababcdcdefef rhyme pattern and whatever number of syllables I have in the first and second lines I will continue to copy for the rest of the poem. This is a common style for me and it works pretty well for my creative method.

These were the results:

To Nothingness

Abrupt noises in my ears
And a dull pain in my spine
The world is not quite here,
But for the thoughts in my mind.
My old world was full of pain
Of the heart, not the self
In the grave, those thoughts I've lain
Not with spite, but for my health.
I find brightness within me
When mel'ncholy shrouds all else
Exhuming my soul, I see
To nothingness, all else melts.